The Voice Australia postponed production due to international talent facing a two-week quarantine after arriving in Australia. The Nine Network's Australian Ninja Warrior excluded audiences from attending tapings, with exception of the contestants' family members. On the ABC, Q&A, Shaun Micallef's Mad as Hell, and The Weekly with Charlie Pickering suspended their studio audiences.
Upon resuming production, Neighbours implemented new guidelines, including splitting its crews and avoiding intimate scenes between cast members. Neighbours suspended filming for two days after a crew member came into contact with someone who had tested positive for coronavirus. The eighth season of The Bachelor suspended filming midway into the season. Network 10 also changed the race route for the fifth season of The Amazing Race Australia so that it would film only in Australia instead of internationally, but was later postponed due to interstate travel restrictions. The eighth season of Australian Survivor, set to start filming in Fiji in April, was postponed following the federal government's decision to establish a Level 4 travel restrictions, heavily discouraging international travel (this was later upgraded to an outright ban of international travel). The Australian Survivor: All Stars reunion episode filmed without an audience and was hosted by Osher Günsberg, rather than the series' regular host Jonathan LaPaglia, due to travel restrictions. Have You Been Paying Attention? was recorded with only Tom Gleisner and a handful of production crew filming the show from the South Yarra studio, with all of the contestants working from home and using video conferencing in order to enforce social distancing. On Network 10, The Project, the seventeenth season of Dancing with the Stars Australia, Studio 10, and the eighth season of Have You Been Paying Attention? suspended their in-studio audiences. Main articles: 2020 in Australian television and COVID-19 pandemic in Australia Production by region Asia-Pacific Australia
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There had been a noticeable increase in non-scripted productions-including smaller-scale series capable of being produced remotely-that can be used to fill schedules until scripted programs resume production (noting that audiences may eventually become tired out by pandemic-themed programming). Such measures and changes have been done to appeal to mandates for social distancing and stay-at-home orders, as well as commitments by production companies and broadcasters to maintain the safety of all involved in production.Īmpere Analysis projected that the pandemic had delayed at least 60% of scripted television programming worldwide, including at least half of the programming originally scheduled to air in the second half of 2020. The COVID-19 pandemic has had a substantial impact on the television industry, mirroring its impacts across all arts sectors, shutting down or delaying production of television programs in many countries with consequent negative impacts on revenues (through rights and advertising sales) and employment.
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